Keqi Gu
Long Dream
Five editions of this book are designed and created by Keqi Gu in Spring 2022. This book includes a collective of five illustrations with short descriptive texts, which focuses on the exploration of "Long Dream". This book is basically a flag book with pockets inside. The cover and back cover are linocuts printed on masa paper. The inside images are digital prints on regular print paper added on round shape cardboards.
Linocut printed on Masa paper; digital print on cardboard.
5.5 x 8.5 x .5 in
Tate Meredith
Baltimore Native Plants Good for Our Pollinator Friends
Copper plate etching on BFK Rives, 3 Color Risoprints on copy paper with found ribbon
3 x 3 x 1/4 in
Anna Morse
Hysterical
Poem written by dear friend Sarah Young. Each of the five editions of this book are made up of 12 pages of 5.5 x 17 inch sheets of Ingres White paper folded in half. The artwork is my own, and has been inkjet printed onto the pages. The covers are book boards wrapped in cotton based handmade paper.
Hardcover Japanese Stab Binding
5.5 x 8.5 x .5 in
Olivia Schrecengost
Memory's Edge
Memory’s Edge is a tribute to my first trip to Europe. It was printed and bound in an edition of five at MICA during spring 2022. Found materials were used to create ten collaged plates, each representing a location I visited on my trip, which were printed onto Rives lightweight paper using a gel plate. The German text states the location depicted in each print, and was completed with letterpress. The covers were made from modeling pulp board and Ingres blue paper. Each book is bound with linen binding tape and olive wax thread.
Letterpress, Collagraph gel print, Coptic binding
7.5 x 6.5 x 0.5 in
https://www.oliviaschrecengost.com/
https://www.instagram.com/oliviaaschrecengost/
Soumya Garg
Sally & Mo’s Vacation Scrapbook
Sally & Mo’s Vacation Scrapbook was created by Soumya Garg in the Artists’ Book class at MICA, Spring 2022, led by Sarah Matthews.
It was made using inkjet printing & linoleum relief prints on Stonehenge, with the pants accordion zine fold.
inkjet printing, linoleum relief prints, pants accordion zine fold
3 x 4 x 0.25 in
Saskia Kahn
i can smell the water
i can smell the water
was created by Saskia Kahn in spring 2022 during
“Artists Books” led by Professor Sarah Matthews at the Maryland Institute College of Art.
This book contains photographs made by Saskia Kahn in Manhattan Beach, Brooklyn in 2019, and family pictures from Palestine in 1950 and Latvia ca 1940. It is a meditation on the water and impermanence.
Slipcover: Letterpress and Cyanotype print on cotton exposed at Manhattan Beach, Brooklyn.
Signatures: Inkjet on Red River 50lb Luster Paper and Risograph
Imperfect Coptic and Perfect Binding
letterpress, inkjet, risograph, cyanotype on fabric
6 x 5 x .5 in
Leili Arai Tavallaei
Gol گل the process
Gol گل the process was designed, printed, and bound by Leili Arai Tavallaei for her 2022 Thesis Exhibition at Maryland Institute College of Art in the Brown Center 209 Gallery. 7 signed and numbered copies were produced.
Link stitch, laser etched plexi, riso, ink jet
5.25 x 5.5 x 0.5 in
Ananya Mohan
FRUIT PUNCH
FRUIT PUNCH is a labor of dichotomies. Personal and professional. Reserved and messy. Responsibility and vulnerability. Obvious and hidden. Composed and repulsive. Masculine and feminine. Control and release. It is a fashion line under the design collective CHEEKEEBEE by Rebecca Loren. 100% driven by woman-identifying creatives and displayed on men, FRUIT PUNCH reverses gender roles within the fashion industry, having women direct men according to their own creative vision. FRUIT PUNCH uses collaboration as the cornerstone of this effort, producing multiple deliverables including fashion design, visual identity, photography, makeup design, animation, packaging design, exhibition design, and publication. Considering the fact that men have historically designed for women, through the processes of collaboration and conversations with women of various backgrounds, FRUIT PUNCH reverses the male gaze, serving men an empathic taste of their own toxicity.
FRUIT PUNCH was published on May 6th, 2022 by Ananya Mohan. Five editions were created as a deliverable of FRUIT PUNCH. The edition was arranged as follows; copies numbered 1-5 have been hand-bound in dos-à-dos style, with risograph prints created for the endpapers. One side represents the Collection and the other represents the Recipe (the written thesis essays). This is the official documentation publication of CHEEKEEBEE’s pilot collection, FRUIT PUNCH.
Two sections of the book were perfect bound and then assembled in dos-à-dos style. Risograph prints made from collages that were used for the endpapers of the books.
8 x 10 x 1 in
Ella Kate Dewees
A new obsession. How to get out
A new obsession. How to get out was written by Sandra Simonds and published in 2017 in the May issue of Poetry magazine. The books and boxes were designed, illustrated, and bound by Ella Kate Dewees. Text was set in Adobe Indesign with the font Merriweather by Ebin Sorkin. Text was laser printed on tissue paper. Images were hand drawn in ink and digitally manipulated with Adobe Photoshop. Images were printed on French Paper Co. Hemptone using a risograph printer. Cover text was hand painted on Canson Mi Tientes paper. Drop spine box made with dyed rice paper and cloth, and decorated with punch-needle embroidery and acrylic paint. Wooden knives from KingSeal.
This is an edition of five, made in the spring of 2022.
Stab bound risograph prints and tissue paper, embroidered cloth and paper covered box, wood knife
box: 7 x 7 x 2 in
book: 5.25 x 5.5 x 0.125 in
Maya Jackowitz
Untitled
This book was designed, printed, and bound by Maya Jackowitz in the spring of 2022 at the Maryland Institute College of Art.
Lino print, single-section book
5 3/4 x 5 x 1/4 in
Ollie Oliva
FROM TWO PEARLS
This book was printed by Ollie Oliva at Maryland Institute College of Art Spring 2022.
Hand sewn and binded using elements of letterpress and relief to create a soft book.
Relief and letter press
6 x 6 x 1 in
Grace DeAngelo
It's Not Youngheads, But I Guess That's Okay
It’s Not Youngheads, But I Guess That’ Okay was created and designed by Grace DeAngelo 2022. Photographs were taken on 35 mm black and white film, scanned, and edited digitally using Photoshop. All graffiti featured originated from unknown artists. Illustrations were scanned and digitally superimposed to collages. This edition was printed via Laser printer on 90 lb drawing paper at Maryland Institute College of Art.
4.25 x 5.5 x 1/16 in
Yesoll Yang
The Very Hungry Caterpillar
This book is a book recreated version from “The Very Hungry Caterpillar” by Eric Carle. It was printed at MICA, cut and bound by Yesoll May Yang.
Silhouette cutter, book binding, printing
5 x 4 x 2 in
